I
got in contact with Detroit Free Press photojournalist and videographer, Eric
Seals, after he was on a panel in another class of mine. I knew he was a
journalist--otherwise he wouldn’t have been on the panel--but when he told me
he was a photojournalist and a videographer and asked if that was fine, I
thought, “This is perfect.”
Seals
gave me his contact information and I contacted him later that day.
Via email, we discussed
dates for the job shadow and Seals shared a link to his Vimeo page so I could
check out his storytelling ahead of time.
Seals’s
email signature revealed that he is an Emmy (Michigan chapter) winning
videographer as it included links to three winning videos. Jackpot.
I
met Seals in Novi and from there we headed first to a Starbucks--where I asked
him questions about how he got into journalism--and then to the Detroit Metro
Airport for his assignment with the Free Press.
We
got to the airport early--at least an hour--as Seals emphasized the importance
of being early. This importance was demonstrated later when the plane we were
waiting for arrived ahead of schedule and had we not been early, we could have
missed the story.
But
as we waited for the plane to come in, Seals told me how he was mentally
setting up and preparing to catch the story. He told me about how he was
supposed to collect video, primarily, but also photographs. He made a point of
saying it makes you a more valuable journalist if you can do both--as we’ve
discussed in class.
Seals
tells me how he’s mentally prepped the scene to anticipate the shot and ensure
that he catches the moment we’re here to get. He’s keeping tabs on the airport
lighting, the natural light and their changes. We double-check that we’re in
the right spot. We introduce ourselves to the family members as they show up.
We
wait.
The
story we’re here to get is that of a woman who is going to get off a plane,
walk to where we are and meet her birth father for the first time after being
adopted as a baby almost 50 years ago.
From
the airport they’re driving up into the Thumb of Michigan to meet her birth
mother. But we’re here only to get the moment when father and daughter see each
other for the first time in 50 years.
To
capture the moments of their first embrace. To tell the story of the smiles on
their faces.
So
Seals tells me how he expects the shot to go: Daughter will deplane and exit
the security wall to where we are. She’ll be looking for her father.
Be early. Pay attention to the
light. Shoot in manual and know what changes to make to the cameras. And fast.
Don’t interfere with the story as it’s happening. Be prepared to get good
audio. Be prepared to get the shot. Get the shot.
Seals
told me this assignment is special to him because he was adopted too. Joy
Myree-Mainor was put up for adoption because she was born to a black father and
a white mother during a time when a marriage or keeping the child was illegal.
Seals, only two years younger than Myree-Mainor, was put up for adoption for
the same reason. Only Seals hasn’t located his parents; he was hoping this
assignment would give him the nudge to start the search.
Myree-Mainor’s
plane arrived early. There was a second reporter, Bill Laitner, working with
Seals--writing the story to go along with Seals’s photos and video--he was just
barely on time.
Be early.
Myree-Mainor
walked out and Seals got the moment as her father, William Daniels, and the
rest of her new family received her.
Don’t interfere with the story as
it’s happening.
Seals
got photos and video as the moment unfolded.
Be prepared to get good audio. Be
prepared to get the shot.
Then,
as emotions settled more, Myree-Mainor and Daniels started interacting with
Seals and Laitner, telling them their story.
Slowly
it came to light Seals’s connection to the story and he and Myree-Mainor began
bonding over the details.
Laitner
said to wait for it. That they would embrace. Then, he told me, to get that shot. He’d write about it and
use that photo.
So
I did.
Pay attention to the light. Shoot in
manual and know what changes to make to the camera. And fast. Be prepared to
get the shot.
Get the shot.
Seals
when on to take posed photos. Of father and daughter. Of the whole family.
Seals didn’t need those photos for story but he wanted to be able to give them
to the family.
Help everyone be involved.
Afterward,
we went back to the Free Press offices and Seals edited his video and captioned
his photos.
Seals
worked with Laitner, putting the story together, with him.
Laitner
interviewed Seals about his experience and feelings on his assignment, and
wrote that story.
My
photograph was used.
Later
in an email--because I forgot to ask in person--Seals said, “I wish I had known in college that
minoring in a foreign language, Spanish or Arabic and being fluent in it would
have been very beneficial in my career.”
*******
For my job shadow, I met with radio reporter/producer Katie
Cook, who works for Current State, a news program from the public radio station
WKAR. I arrived at 9:30 a.m. on Monday, April 17, for their morning staff
meeting, which was in their office in the CommArts building, right around the
corner from our classroom. It was a small group, just six people present. They
discussed upcoming events and leads, deciding who would cover what and how many
minutes long the story should be. They also talked about transitioning to a
“digital mindset,” which meant having a greater online presence and more
interaction with listeners through social media.
Katie started working in radio just a few years ago after working
at Whole Foods for nine years. She knew she wanted to do something different,
so she bought her own microphone, started practicing recording family members,
and signed up to volunteer at the Third Coast Audio Festival, which is a
conference for audio storytellers. She said she went to the conference with a
lot of business cards and a drive to make connections, and came out knowing
people who would later help her get an internship at PRX, the Public Radio
Exchange in Boston, which then led to her current job at WKAR. It was
surprising, but impressive, to hear how she was able to advance in her field
without a journalism degree, but with a lot of passion and a willingness to
jump in and work hard.
A tip she tries to remember is to ask people to say and
spell their names before you start interviewing them. Because it’s radio, you
have to have the pronunciation correct as well as the spelling. Another tip is
to record 30 seconds of “room noise” wherever you’re conducting the interview.
She said every room has a different sound, and that neutral noise can be used
to soften the space between jumpy cuts. Also, she said to always wear
headphones while recording so you can pay attention to the levels.
She likes public radio because it isn’t about attracting
people to just click on a link. It gives you space to pursue things that make
you and people in your community curious.
Katie Cook
Email: kcook@wkar.org
Phone: (517) 884-4786
*******
I job shadowed
the host of WKAR’s weekly TV show and daily radio show, “Current Sports” – Al
Martin. Al is a great person and has a personality that can reach you from the
other side of the building. He was interviewed and later employed by WKAR just
six months after graduating from Michigan State University, while he was
working at WLNS Channel 6 news. Al’s predecessor was Earle Robinson, who worked
for WKAR as the host of Current Sports radio show for 39 years. Al said that
this was the hardest part of the job, living up to someone that had so much
respect and praise around the East Lansing/Lansing/Okemos communities.
I arrived at WKAR studios around
12:30 p.m., where I was first directed to the production studio, right next to
the recording studio where Al was. I was first greeted by his production
assistant, student at Michigan State University, Isaac Constans. Isaac gave a
brief introduction on to what he was working on – he was cutting audio clips
and pulling audio clips from the internet for that day’s show. Typically, Isaac
gets to the studio at about 12:15-12:30 p.m., depending on the amount of
content that is needed for that days show. Immediately after Isaac showed me
around the production studio, I went to go in to chat it up with Al. While our
conversation before the show was brief, he made sure to give me a quick rundown
of how things worked for the show. He explained to me how he would prepare for
his daily show. Isaac and Al share a google doc together, where they create the
days topics – they also have interns help with collecting and contributing to
the compilation of information. Considering Al has a live show at 1 p.m. every
day, he has only a few hours to prepare for each show. On top of preparing for
shows, Al discussed with me how he had to be a one-man show and made sure to
put an emphasis on the need of being a well-rounded journalist. During the
show, Al had me sit in the Production studio where Isaac ran the operation
board and Al would have him chime on the show every once in a while. Something
that I noticed while being in the studio, was that there were not any callers
besides their scheduled guest. I asked both Isaac and Al about this, and they explained
how that with such a local radio station, there is a way smaller window of
people who are regular listeners to the show – yet, they did mention that they
had regular callers, some that they even had inside jokes about. During the
show, Al actually had a fact error while talking to a guest. He mentioned that
his nickname was “What’s Reality” but in fact, it is “What’s Gravity”. I asked
Al and he said that stuff like that is preventable, but when it does happen,
that you can laugh it off and chop it up for experience. Yet, in the print
journalism world, there is not as much room to back track and clarify your
mistake. The information that Al received was from MLive, he did not go to the
source himself when he was originally looking for the nickname – he said that
was a big mistake, but at the same time, when you are live, you have to be calm
and not freak out. I ended up job shadowing both Isaac and Al basically, which
was a cool experience, considering for the Al’s radio show, Isaac is the one
plugging away at all the technical aspects of the show – they have different
hand motions and cues to each other through the glass that connects the two
studios.
Something that Al said that really
stuck out in my head, that really was not explained in class, was that rarely,
but in his case, you could be taking over for somebody that was considered to
be a “legendary journalist” as Al put it, and this makes it a lot harder for
you to be accepted as the new host of specific shows. I never really thought
about the fact that you can be disliked by just simply taking a position that a
former host once had, and the reason being, simply, you are not that other
journalist/host. Al also mentioned a couple of times about the importance of
having a full skill set – something that has been talked about in class on
multiple occasions. Al said that being well-rounded in all aspects of
Journalism from the way that you speak on the radio or on TV to the way that
you shoot b-roll is all extremely important and factors in to the perception
that you receive from your audience.
I really enjoyed shadowing Al and
being able to see how him and Isaac work together to create a daily local
sports radio show. Before my job shadow, I ended up applying for an internship
with Al that had been recently posted on the MSU sports JRN website – so,
luckily, my job shadow turned in to an internship interview afterwards, which
was great timing and luck that I had set up a job shadow and ended up being
interviewed as well.
*******
Going
into the job shadow I didn’t know how much of the skills I learned in class
would actually translate to sports talk radio. As I learned a lot of the skills
learned in class also translated to the studio.
I
arrived at the studio about an hour and a half into the show during the
commercial break. He had me come into the small studio and sit and watch. I
never knew that some radio booths were that small, it was barely bigger than a
broom closet. From watching radio simulcasts I see large studios on TV, but in
reality a radio station in the media market of Lansing is pretty small.
I put
on the headset to listen to the show not expecting anything but observing.
About a minute after he comes in from break he introduces me and starts asking
me questions. I was caught off guard but quickly regrouped and just had a
natural conversation. From that situation I learned I need to be on my feet in
journalism and prepare for anything. I found myself having a good amount of
airtime for my first time in a studio. I ended up talking about the Tiger’s
bullpen, Pistons Management, MSU and even my high school.
Having
a natural conversation is something that I have tried to have when interviewing
people and I noticed that David also stressed that either when he was asking
his producer, callers on air, or me questions. He tried to turn a natural
conversation into a story with an interesting and relevant topic. He would
bring up a broad topic and throw it to either producer or I and then find the
most relevant information and build off of that.
I
also noticed that a lot of writing needs to be put into radio. A lot of writing
was all over the studio with either ad reads or show info. He writes a lot of
his on air ads, at times he winged the ads but tried to put an interesting spin
on the ad. He also had a rough outline of what he was going to talk about on
that day’s show written out so he could follow a script.
Reaching
out to people was also important. Him and his producer were thinking of people
to have on the show and researching them and trying to contact them. That
particular day they were trying to find a representative of the Baseball Hall
of Fame to speak to. They also had Rob Rubick a former Lions player now analyst
call in and want to schedule an appearance on the show.
Another
important aspect was fact checking. For example, David believed that Miguel
Cabrera was 34 but he also had his producer look it up and verify the fact. He also
had his producer look up the age of Matt Stafford.
I
really enjoyed the job shadow and I believed I had a good insight in what a
professional radio show is like. I enjoyed the personal vibe of radio and now
may actually want to go into radio more than TV journalism.
*******
For this job shadow assignment I tried to contact
several journalists for weeks and was unsuccessful in doing so, until about two
weeks ago when my dad was able set up a meeting with Norm Stangland, the assistant
news director at WLNS Channel 6 News in Lansing.
I arrived at WLNS to meet with Norm on Friday, April
14 and explained what I had to do for my assignment. I was hoping that I could
do my shadow that day, but since it was Good Friday and he didn’t have any
reporters in to meet with me, we scheduled the shadow for Tuesday morning the
following week.
I arrived at WLNS again on Tuesday, April 18 at 9:15 a.m.
to once again meet with Norm. This time we went to his office, which lead
through the news room that held the work stations of all of the reporters and anchors
at the station. He introduced me to everyone in the room, as well as the lady who
received all of the news stories that she gives to the reporters. Along with
getting news stories through email, there were also police scanners in the room
to report the breaking news in the local area.
In Norm’s office, he talked to me about their partnerships
with other news stations in Michigan such as FOX 2 News in Detroit, and the
internship opportunities they had available as I told him I was an aspiring
sports journalist. He then told me that I would be job shadowing Blair Nelson,
a videographer at WLNS, who was going to be covering the Metro Lansing
Procurement Summit for the noon news; which was a big conference held to help a
large number of Michigan suppliers grow their business.
Immediately after I was introduced to Blair, I helped
him put his tripod and camera into the trunk of his truck and we were off to
the Lansing Center, which was where the conference was held. During the car
ride, I asked him a few questions about his job duties and his journalism
background. He said that as a photojournalist, his job is to go out every day
and cover whatever news story he gets assigned. He conducts interviews and
captures b-roll, and I found this interesting because it’s exactly what we have
been doing in class recently. Everything he told me sounded familiar.
We arrived at the Lansing center at around 9:45 a.m.
and rushed into the conference as it had already started. I observed as Blair
set up his camera and started to record, he gave me tips on how to record
properly, such as making sure the subject has enough head and talking space as
well as making sure the lighting is correctly applied and to use as much
natural light as possible. A lot of what he said was similar to what we have
been learning in class throughout the semester.
The person that Blair wanted to interview at the
summit was Trevor Pawl, the group vice president of the Michigan Economic
Development Corporation. As Pawl was giving his presentation to the
entrepreneurs in attendance, Blair went around the room and shot b-roll of the
summit. After Pawl’s presentation was over, we stepped outside of the room to
do the interview.
We then drove back to the station, where I followed
Blair into his work station and observed as he edited the clips he shot to
prepare them for the noon news. Blair and other editors and videographers at
WLNS use Edius to edit video packages. The only software I have used to edit is
Adobe Premier, and this particular software was very similar, as Blair
explained that all video editing software will essentially be the same aside
from minor differences in design and tool placement.
I didn’t stay around for the noon news broadcast
because I had a class, but I definitely learned a lot on top of what I already
knew coming in about interviewing, shooting, and editing from spending time
with Blair. He gave me some meaningful advice about becoming a successful
journalist, including joining student organizations such as the school
newspaper, as he did so when he was at Central Michigan. He also told me it was
important to get internships to help build my resume and experience in this
field.
Job shadowing Blair was an overall educational
experience that allowed me to observe news reporting from a new perspective. It
was cool to see the material we’ve been learning in class be put to use in an
actual professional news environment.
Blair Nelson
Email: bnelson@wlns.com
Phone: 517-372-1300
On April. 14, I
shadowed Karel Vega, a WKAR news reporter and a host of ‘All Things Considered.’
At 9:30 a.m., at
the second floor of the WKAR station, there was a news meeting. I thought the
news meeting required a specific suit or clothes, but everyone was wearing
comfortable clothes, and the meeting was held in a relaxed atmosphere. They
started deciding which news topics to report for a week, and they specifically
set what news to report on a particular day. When one person suggested the news
topic to cover, others gave feedback and advice, and they encouraged each
other. When they had a problem, they discussed and found solutions together,
and I felt a good teamwork was important. It was impressive that everyone
expressed their opinions freely. The news meeting lasted about an hour and a
half.
After I had
lunch, I went to the WKAR radio station at 3 p.m. This time, I started to
shadow Karel Vega and he was recording the news script for, ‘All Things Considered,’
which is going to be aired from 5 p.m. to 6 p.m. Vega said he is always
searching for the news stories and I felt this situation is familiar because I
usually looked for the news topics to cover the ‘Out-Of-Class’ topic. He said
if he speaks wrong when he record the news, he needs to start over from the
beginning. Because the specific time was assigned, he had to keep the time precisely
when he recorded the news reporting. Even though he got a break time after doing
recording, he prepared for the news. He used every minute and second, and did
not spend time without doing anything.
Since he was
preparing for the live news, shadowing him was so dynamic. “Don’t have much
time,” Vega said again and again. Although everything was in a fast-pace, he
didn’t forget to check the time. Checking time was the most important work.
“Radio News is
different from TV News because I have to do everything by myself. I have to
control the machines, adjust the volume, gather the news stories, and write the
news script, at the same time,” Vega said. “And because it is live news, I have
to adjust the time of the news and keep the time in mind as well. It is tough,
but it is rewarding. You can be better and better.”
Vega said, “The
key to success is one in getting a job in the field, be patient. Just get in
the door of WKAR took me almost two years. Now, that I am working here, I would
say that the key to success here is opposite, be impatient when you are waiting
for somebody. If you are a reporter, don’t wait on your stuff. If you have a
story and if you have a deadline, don’t set your side on one source. Set your
side on 10 sources and hook yourself in to the one that respond to you, because
9 times out of 10, the person you have in mind for a story is not going to be
the person that ends up being the story. You have to be willing to seek out
more than one source. In a lot of time, people won’t respond to you.”
I could
understand what he was talking about. When I find some sources for my out of
class stories, I don’t rely on one source, rather I found more than three
sources, in case people can reject my interview request, or they can ignore my
email or calling. I felt that journalist should be prepared for any situations.
This assignment
made me to experience the real world of journalism. I could understand why the
time was the most important element in this field because I realized that
breaking the time is breaking the promise with the audience and it is the most
irresponsible attitude as a journalist. This shadow was so exciting and I was
able to realize what I really want and what I want to do in the future.
Email: kvega@wkar.org
Phone number: (619)-203-9823
*******
For
my job shadow, I observed Fred Heumann, the director of Sports News at WLNS
Channel 6 Lansing and Jackson. Fred Heumann studied at Central Michigan
University and graduated with a degree in Journalism and a degree in
Broadcasting. He began his career at
Channel 6 in Lansing, moved to Detroit, then to Flint, and is now back at
Channel 6 WLNS and has been there for 15 years. His 37 years in the business of
Sports News has brought quite a name and successful reputation for himself.
Heumann says that each and every day
is different for him because sometimes he needs to go out and get his own
footage for his show, sometimes his staff in sports news does it for him and
sometimes outside people will send him footage. This varying schedule changes
every day and thus changes the times he needs to be at the studio till every
day. He is not supposed to work
weekends, however states that sometimes he is required to depending on the
upcoming week and what needs to be shot for his show. He covers mostly Michigan
State athletics and High School sports in the Lansing area.
When I arrived at the studio for my
shadow, Heumann was just beginning to prepare for his 6 o’clock p.m. sports
news broadcast. He had the master time schedule for the day and was required to
put in his different segments into the agenda for the director to see. He began with covering an arrested football
player, then covered the MSU Women’s Golf Big10 championship and finished by
covering some info on MSU Hocket and UofM’s new hockey coach Mel Pearson.
He was working on his sports show
for that night and had to create a 4-minute segment to be broadcasted. However, he was in a time crunch and only had
two hours to complete the entire segment.
He spent much of his time rushing and working very fast while looking at
the clock every 5-10 minutes.
In the process of preparing for the
show, he began by pulling all the footage, pictures and audio clips he had for the
topic he was going to cover. Although
sometimes he did not have the best footage or pictures he was forced to work
with what he had. He then wrote a short lede for the topic introducing its’
segment. This was tentative to change later though, if he felt there was more
important information he found later that should be included. Then began the
editing process where he put together the video to be shown after he spoke the
lede. He included B-Roll footage as well as audio, interviews and pictures.
After he spent some time editing and putting together the video, he had to
create a script for the video.
In editing the videos, he cut out
every “uhm” and “uhh” because he said every second of TV time is precious. He
made sure though to not change the meaning of what the people were saying in
the interviews because that would be unethical. It took him a total of 50
minutes to edit one segment and had to complete the other two segments faster
because he only had 70 minutes left before it had to be broadcasted.
Overall I thought it was really cool
to shadow him because I got to see what he does on a daily basis which was
create the 6 p.m. sports broadcast.
Everything was super-fast paced and I got to watch him actually
broadcast the show at the end of it all. He was forced to in the middle of his
sports segment to cut a portion out because he was over his 4-minute time
requirement. This means that he had to
act fast on his feet and determine what was the least important segment of the
show. After I left, he then began working on the 11 p.m. sports broadcast.
**********
This past Saturday I had the pleasure of job
shadowing Paula Wethington of the Monroe Evening New in Monroe, Michigan. Paula
is a reporter for the newspaper and manages their social media. She studies the
best times to post on social media and tracks what posts gets the most views,
likes, or comments. Monroe Evening News is on Facebook, Twitter, Instagram, and
Pinterest. Paula was also a successful blogger, but has decided to close her
blog to focus on other things in her career.
I
arrived at the Monroe Evening News headquarters at 10 a.m. to begin my day with
Paula. We met and she gave me a tour of the newsroom and the rest of the
building, which has been recently renovated and was added on to. It was
interesting to see an actual newsroom not in the movies because it was nothing
like the movies. All the offices were open and they were all connected or had
half walls so it made it easy for Paula to communicate with the other reporters
in the newsroom. Unfortunately, she was the only one there so I didn’t get to
see how the other reporters work, but I did get to focus on how to manage
social media and Paula’s tactics to manage it for a company.
After
the tour, we sat down and she gave me some advice for managing social media on
a large scale. Paula told me to track the times that are most active on all
social media. Everything from Facebook down to Twitter. She explained how it’s
important to know when to post and time your post accordingly.
After
we talked about social media for a while and Paula showed me her strategies on
organizing tracking things, we headed out to the Monroe County Police
Department. Once we got there Paula went through the police reports and wrote
down which ones she was going to put in the paper. As she was going through the
reports she was looking for stories that she could get a paragraph or two out of.
Unfortunately, she didn’t find anything worthy of a paragraph.
Once
we got back to the newsroom we went through the Saturday newspaper and clipped
articles that we thought would be interesting on the website. We planned what
times each story was going to be posted on Facebook and made sure the article
was on the website. Once we filled all the time slots on Saturday we began to
knock out the Sunday schedule. It was interesting to see a professional writing
social media posts for an actual company. It made me excited for my future and
managing social media.
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